Paintings made on combined materials.
The modules were cut either before having been painted or afterwards. The representations show moments and actions that are separated in time and space. The landscapes and the bodies of children are fragmented. These modules are connected with resin or other assembling methods.
Snow Storm
Acrylic paint on cotton hessian, polyethylene foam stapled on the outline, 30cm*20cm, 1999
Snow and Branches
Acrylic paint on cotton hessian, staples, 20cm*30cm, 1999
Jérémie, Portrait
Acrylic paint on polyurethane foam stapled four times to a sample of silver lamé fabric, 20cm*30cm, 1999
Jérémie, Fragments (Body, Time and Places)
Acrylic paint on scraps of shantung, of silk taffeta and of smooth or wrinkled acetate velvet, connected to each other with flexible resin, 20cm*30cm, 1999
Jérémie, twelve cells
Acrylic paint on cotton hessian, caught in résin, cut into 12 discs and connected to the plastic support with nylon thread, 20cm*30cm, 1999
Jérémie, Fragments (Body and Time)
Acrylic paint on wrinkled or smooth acetate velvet, connected to fragments of silver lamé fabric with rigid resin, 20cm*30cm, 1999
Alix, Portrait
Acrylic paint on cotton hessian, 20cm*30cm, 1999
The Accident
Acrylic paint on white smooth acetate velvet stuck to an aluminium leaf by partial enclosure in resin, 20cm*30cm, 1999
Alix, Fragments (Body and Places)
Acrylic paint on wrinkled acetate velvet and woven polyethylene, enclosed in rigid resin blocks connected to each other with wire, 20cm*30cm, 1999
