The shapes of the scraps I used are all different even though they sometimes come close to a repetitive geometrical shape. The materials are made of either synthetic or natural fibre put together through various methods (compressing, weaving, thermal fusing and so on). They are either smooth or wrinkled, shiny or matte, opaque or transparent. The colours gravitate around the shade of white. The elements here are therefore singular even though they may have some similarities. They are complex from the very beginning. One more layer of interaction is created by connecting one module with an other.
Heterogeneous scraps
Scraps of polystyrene foam, of wrinkled polyester velvet and of acetate organza, of fibreglass fabric and of tulle made with silvery thread, all connected with epoxy resin, 20cm*30cm, 1999

Connecting three fabric scraps
Three pieces of white or ivory fabric: wild silk, silk taffeta and acetate velvet, connected to each other with resin, 30cm*20cm, 1999

Isolated cell
Synthetic velvet cell enclosed in flexible resin and sewn to the plastic shelf with linen thread, 20cm*30cm, 1999

Two cells
Two velvet cells connected to a plastic leaf through partial enclosure in flexible epoxy resin, 20cm*30cm, 1999

Cell on rectangle, twice
Two silvery synthetic fabric cells partially enclosed in flexible resin, each of them sewn to a melt fibreglass fabric rectangle, 20cm*30cm, 1999

Five cells
Five silvery fabric cells partially enclosed in flexible resin, sewn to wrinkled acetate velvet that was tied with wire to metal grating, 30cm*20cm, 1999

Heterogeneous cells on aluminium
Velvet or silvery fabric cells joined to aluminium leaf through partial enclosure in flexible resin, 30cm*20cm, 1999

Connected cells
Polypropylene cells connected to one another and joined to the shelf with nylon thread, 30cm*20cm, 1999
